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The large-format-exclusive space epic 'Farfall' is over-performing in international markets. We explain premium screens, why overseas audiences matter and what it means for originals.
Industry chatter says 'Farfall: Descent' is tracking ahead of the original on advance sales. We explain presales, tracking and why early projections can mislead.
Claire Fontaine's courtroom thriller 'The Midnight Court' is tense, beautifully shot and sharply written. Our critic explains why it earns a place among the year's best, with a verdict of 9.4/10.
'Hollow Lantern II' opened above its tracking, according to reports. We explain projections versus actuals, why word of mouth matters and how sequel economics work.
Original mid-budget thrillers can punch above their weight in premium auditoriums. We explain per-screen averages, return on investment and the programming choices behind it.
Object-based immersive sound is changing how scripts are written. A craft essay on directional pauses, silence and overlapping speech in the age of spatial cinema.
